Last year, some of my pictures of the Vitra campus were featured in the vitra special of Magazine B, a brand documentary magazine from Korea.
The last picture that was presented was Frank Gehry’s Vitra’s Design Museum:
This video gives a short presentation of B magazine and the Vitra campus:
New Delhi serves as the capital of India and is home to more than 21 million residents in its metro area. Officially inaugurated in February 1931, the city was planned by British architects Sir Edwin Lutyens and Sir Herbert Baker. Their design centered around two promenades – the Rajpath and Janpath – that run perpendicular to each other and intersect here at center. For a sense of scale, this Overview shows approximately four square miles.
A picture by Daily Overview (@dailyoverview) on October 16th 2015 at 11:52 PDT
This summer The Gardens of the Versailles Palace presented 6 installations of Anish Kapoor. One of the works in this exhibit sadly was attacked not once, but twice by vandals. I visited the Gardens at the end of september and was deeply moved by those acts of intolerance. Now every piece was closely guarded. A few works were even surrounded by fences obstructing their interaction with the environment. But let’s talk about the works themselves!
After entering the gardens, the first work that I encountered (again) was C-Curve a cool mirror which twisted and turned Versailles upside down.
A bit further the Sky Mirror played with the clouds:
And then Dirty Corner came into view. It was a sad sight. After the second act of vandalism Kapoor wanted to keep the graffiti on public display to make it part of the work as revenge. The museum cloaked some parts, probably to avoid being sued.
In one of the side gardens, the Star Grove, the Sectional Body preparing for Monadic Singularity blew me away with it’s blasting color.
The last artwork could be found outside the palace in the Royal Tennis Court. There deputies took an oath on June, 20th 1789 not to leave the room before a Constitution for France was adopted. Here Anish Kapoor showed Shooting into the Corner, but on a different display than before. The cannon wasn’t loaded on a regular daily basis but was silenced after it had been shot behind closed doors. Thus referring to the French revolution which started in this room and the violence that would erupt later on.